Yesterday I woke up to the news that Robert Holdstock had died. He was not one of my formative writers, but one I resonated with: I discovered him in college, the summer I was unofficially teaching Latin at Belmont Hill and walked home past the same tiny used book store every day; they had the U.S. paperbacks of Mythago Wood (1984) and Lavondyss (1988) and their covers of masks and granite outcroppings must have caught my eye, because I kept picking them up, reading stray lines of prologue and weighing their weirdness, unsure whether they would be as wild and rough-barked as I was hoping or merely another iteration of crystally Celtic twilight. They were not the latter. My memory tells me that the school year had started by the time I finally brought Mythago Wood home and that I read Lavondyss by falling snow, but perhaps I associate the books so strongly with their presiding seasons that the story has changed inside my head. He wrote one of the three truest autumns I know. I am not pleased there will be no more in his timeless, blood-bronzed, shape-changing forests.
2009-11-30
I feel as though it must signify something that the Schweizerische Volkspartei's breathtakingly anti-Islamic poster (and its successful vote) came out in the same year as images of Nazism are being flung nonchalantly around the American political arena, but past the absolute failure of historical memory, I'm not sure what that something might be.